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Arts in Crisis Settings: Rethinking Health, Education and Protection

Over the past decade, arts, health, and wellbeing have become an increasingly established field of research, practice, and public policy. The WHO scoping review on arts and health (Fancourt & Finn, 2019), the creation of the Jameel Arts & Health Lab, and UNESCO’s Framework for Culture and Arts Education reflect a growing recognition of artistic and cultural participation as a matter of public interest.

Yet, in contexts of crisis, conflict, and displacement, the purposes and conditions of arts-based practice require particular attention. Violence, displacement, disrupted education, weakened social ties, and the loss of cultural spaces affect not only individual wellbeing, but also collective memory, cultural continuity, participation, and possibilities for peace. This keynote draws on multi-sited research and practice in Syria, Iraq, and other crisis-affected contexts to examine how arts-based programmes operate across health, education, and protection.

Proposing a typology of existing approaches, this talk distinguishes between programmes primarily oriented towards health and psychosocial support from those focused on education in emergencies, while also identifying hybrid approaches that connect cultural participation, protection and community life. These practices include visual arts, theatre, music, storytelling, participatory, and biographical approaches, often developed in collaboration with local artists and communities.

The keynote argues that artistic practices should not be understood solely through therapeutic outcomes or individual wellbeing. Their potential lies also in creating conditions for expression, recognition, collective meaning-making and social connection. However, such effects are neither automatic nor inherent to art itself. They depend on facilitation, meaningful participation, cultural legitimacy, and the quality of relationships between artists, educators, health professionals, and humanitarian actors. The presentation concludes by considering the ethical, professional, and evaluative challenges facing this emerging field.

Speaker Biography

Albane Buriel

Dr Albane Buriel is an associate researcher in Education Sciences at University Rennes 2, France, within the Centre for Research on Education, Learning and Didactics (CREAD), and the founder and president of Art to Face, an international NGO dedicated to culture and arts education in emergency, conflict, and post-conflict settings. Her work lies at the intersection of research, humanitarian practice, and cultural action. She specialises in arts-based approaches across mental health and psychosocial support, education, and community participation, examining how artistic and cultural practices can support agency, recognition, collective meaning-making, and social cohesion in contexts of violence and displacement.

Dr Buriel has conducted multi-sited fieldwork in Palestine, Syria, Iraq, Yemen, and Eastern Europe, working alongside local communities, artists, educators, NGOs, and international organisations. Her research draws on ethnographic and participatory methodologies, including participant observation, arts-based and biographical devices, and collaborative knowledge production.

She teaches humanitarian action, MHPSS, and arts-based education in several universities. Her work critically examines both the potential and the ethical tensions of arts-based practice, including questions of power, representation, emotional exposure, care, and sustainability. Through Art to Face, she is currently developing the International Observatory on Culture and Arts Education in Crisis and Post-Conflict Contexts.


About the Presenter(s)
Dr Albane Buriel is an associate researcher in Education Sciences at University Rennes 2, France

See this presentation on the full schedule – Friday Schedule



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Posted by James Alexander Gordon

Last updated: 2023-02-23 23:45:00